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Saturn: The Bringer of Old Age - The Planets (Gustav Holst) | Behind the Score: Episode 55

We're continuing on in our study of The Planets by Gustav Holst. This time, it's the mysterious and plodding fifth movement, Saturn. This movement is a masterclass in chord voicings with whole-tone scale fragments. And, the orchestral colors are unique and exhilarating. I hope you enjoy!

Saturn: The Bringer of Old Age - The Planets (Gustav Holst) | Behind the Score: Episode 55

Comments

Thanks so much Bill!

R. Douglas Helvering

Thanks, Doug. I always learn a lot from these. As a bonus, I've listened to The Planets on my own - sort of "studying ahead." It really is a marvelous achievement. Holst really understood exactly what he wanted to accomplish, and he had the knowledge and skills to pull it off magnificently. You're the best, Doug!

Bill Brinkmoeller

Thanks Peter...I agree that Holst (even in his popularity) is under-appreciated.

R. Douglas Helvering

I always loved the ponderous, thoughtful clock-tick in the woodwinds that starts the piece, how the pacing leads into those wonderful fff chords that declaim time's inexorable march, and how the piece's arc concludes in a comforting atmosphere - just brilliant. Everyone talks about Rimsky-Korsakov's colorful scoring. Holst should be mentioned with the same respect. His woodwind coloration and brass scoring is just wonderful. Russians have 'The Five', (Cui, Borodin, Balakirev, Mussorgsky, and Rimsky-Korsakov) and the French have 'Les Six' (Milhaud, Poulenc, Honegger, Auric, Durey, and Tailleferre). I've always thought there should be a similar grouping for the great British composers of the early/mid 20th century: Delius, Holst, Vaughn-Williams, Britten, Bax, Ireland. Maybe Elgar as the senior member. These analyses always make for a *great* weekend morning session over coffee, and always make me want to get to the piano and noodle around with the same concepts. Thanks so much, Doug ! Nice lecture, as always.

Peter Tutak

holst is great in this mode. Egdon Heath and the last movement of the 7 Part Songs. guess that would be the 7th movement. 7ps very well worth a listen. Egdon Heath too. bone chilling.

ax o'lotl

Tick, tock, tick, tock ... But much more complex, sophisticated, and ultimately satisfying. Love that bass oboe, too! Thanks for the dive, Doug!

Ford H. Cotton III


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