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Music Theory for Guitar II | 3 | 7th Chords

Where to Start • Lesson Archive • Recommended Lesson PlanBook a Private Lesson

Hi Everyone!
In this lesson, we'll turn your plain old triads into 7th chords! On top of that, you'll learn about 7th chords in a key, and start to create chord progressions with more depth and sophistication. Check out the attached PDF for helpful homework and chord charts.

If you’re not familiar with Major Scales, Minor Scales, Intervals, the Circle of Fifths, and Triads - you should watch Music Theory for Guitar I first!

Use this Community Forum thread to post homework and discuss the series. Have a question? Ask on the weekly live Q&A, called Office Hours. Also, check out Practice Thoughts if you need help figuring out how to practice.

How to Join the community forum.

Once you’re done with this lesson, move on to the next in the series - I'll post the next one soon!

Music Theory for Guitar II | 1 | Chords in a Key 
Music Theory for Guitar II | 2 | Roman Numerals
Music Theory for Guitar II | 3 | 7th Chords (current lesson)
Music Theory for Guitar II | 4 | Chords in a Minor Key
Music Theory for Guitar II | 5 | Harmonic Minor
Music Theory for Guitar II | 6 | The V of vi Chord
Music Theory for Guitar II | 7 | Melodic Minor
Music Theory for Guitar II | 8 | The V of V Chord
Music Theory for Guitar II | 9 | What's Next?

Comments

For the same reason the IV chord is a Major 7th chord and not a Dominant 7th chord: a half diminished fits diatonically in a major key and a fully diminished chord does not.

Scott Paul Johnson

Awesome lesson! Wondering why we use a half dim chord as opposed to a fully dim chord? Thanks!

Seán Ó Cobhthaigh

'Tension has been resolved... historically.' It's not what you say, it's how you say it, Scott.

David Lynch

Excellent, exactly what I needed !

Alexander j


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