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OFFICE HOURS 115 | Thursday, April 13th, 10AM Pacific Time

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Hi Everyone,

Join me on Thursday the 13th at 10AM Pacific Time for the 115th weekly live Q&A.

If the above link isn’t working for you, here is a link to watch directly on YouTube: https://www.youtube.com/watch?v=1A78ClRpMi0

Here's how it works: bring your questions to the comments below, the community forum, or save them for the live chat.* Questions can be about anything you want - guitar technique, music theory, gear, songwriting - your choice! Also, feel free to link a video of you playing if you have a technique question!

I'll do my best to answer your questions and give examples of how you can practice developing skills related to your question.

Keep in mind, you can always watch later if you can't make it live! Check back a few hours after the stream for a numbered link to each question and answer.

*Please note: you may need a youtube/gmail account to ask questions in the live stream, but you can watch without one.

Check out the Lesson Archive for more Office Hours Live Streams

Other helpful links:
Scott's Recommended Lesson Plan
Searchable Lesson Archive
How to Join the Community Forum
Scott's Jam Tracks
Scott's Main YouTube Channel

OFFICE HOURS 115 | Thursday, April 13th, 10AM Pacific Time

Comments

I JUST found it! Its the chorus of "All my Loving"

Scott Paul Johnson

👍🏻thx

Gyro

Oh yes I see! I think that song would look a little more like: Am G D/F# F Am G D E It's not using that funky AmMaj7 chord, but its definitely in Melodic Minor, so that chord could certainly exist in the ecosystem, but I don't recall it in that song.

Scott Paul Johnson

At 26:50

Gyro

Tonality maybe

Gyro

Sorry, I must have written in the wrong spot. On a recent live show (Apr13) you were trying to name a Beatles song with a certain progression. I think it was 'while my guitar gently weeps.' Let me know. Great work btw!

Gyro

Hi there Gyro - whats your question? This is a Q&A post

Scott Paul Johnson

While my Guitar Gently Weeps?

Gyro

https://www.scottpauljohnson.com/ear-training

Scott Paul Johnson

https://www.scottpauljohnson.com/patreon-content-blog/2020/12/16/winter-live-lesson-25?rq=finder

Scott Paul Johnson

Hi Scott, I really enjoyed the Practice Thoughts this week. Great topic to think about. My question this week relates to practice and staying focused. I sometimes find it hard to keep myself on track with what I'm working on and can easily get distracted. There is just so much information on the internet! I know you have mentioned that you also deal with ADHD and I was wondering how you deal with that while practicing. Thanks

Wayne Barlow

How do you record bends in stereo? I am starting to incorporate bends more in my songs and I am having a difficult time getting them to sound the same when doing a second recording for stereo. It just seems that bends by their very nature have some variation in them, so it is difficult to not sound off when doing a stereo sync. Should I just go mono for bends or is it something I just need to work on making more consistent?

David Bowlby

Hey Scott, So far all of my noodling with maj7 chords have been in major keys (replacing I and IV chords), but I'm not sure how to play maj7 chords within a minor key. For example, in the C major scale, playing the first chord as Cmaj7 is obviously okay - but in the A minor scale, is it okay to play the 3rd chord as Cmaj7 still? I would guess so as all of the same notes are still available within that scale but some clarification would be appreciated. I also fell down a rabbit hole reading up on this, and found that maj7 versions of minor chords exist too, forming what I think would be called a 'minor major seventh' chord. Just in case my terminology is a little wonky, I'm talking about the chord that would be formed by playing A C E G#. It looks like it's only playable as the i chord within melodic/harmonic minor scales though due to the need to sharp the seventh. Is that correct? Does this have much use in popular music? I may not be able to catch you live due to work but will watch the replay. Thank you very much for your help as always!

Richard Stapleton

And another question if I may.... What are your thoughts on ear training and the best way to improve this skill?

D'oh!-Ray-Me

Hi Scott, I've heard it said that the vast majority of songs in pop charts consist of the same four chords - the 1, 5, 6 and 4. There is a great video by the Axis of Awesome which illustrates this. This should help us figure out the building blocks of the songs we love/admire or hate, I suppose. What is your view about this 'secret formula' for popular music?

D'oh!-Ray-Me

Hey Scott, I have a question on how to start thinking in Nashville numbering system. What I mean is, for example there are keys that I know quite well, let's say key of C, so I know C is the 1,Dm is the 2nd, Am is the 6ths and so on… But how to do this in other keys? I just find it too much thinking about numbers, shapes, is the key major or minor… etc do you have some tips on how to make this a bit easy? PS: sometime when I write a question I had in mind for the OH, I already find the answer myself by just thinking about to formalize the question itself :).. So thank you for that, even if you don't have to answer it :D

Ahmed Elnaggar

It's kind of a question related to the CAGED series: Is it only me or do triads with a low third (6th string) sound a bit muddy or dull?

Chris


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