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OFFICE HOURS 127 | Relative Major and Minor, CAGED Diminished chords, tricky chord progressions

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Hi Everyone,

You missed this one! Catch the next one. Here were the questions:

Question 1: John had a question about relative major and minor.

Question 2: Alice had a series of questions about how CAGED fits with diminished and augmented chords, dorian mode, double sharps, and a few other things.

Question 3: Graeme had a fun puzzle about wether a chord progression was in B Dorian or E Mixolydian

Question 4: Holly was basically wondering about how to write melodies on guitar. My Melody Making course is about the theory behind melodies, and my CAGED Soloing series is more about applying melody concepts to the fingerboard.

Question 5: Adam had a few questions and I did a little brief lesson on modes

Here's how it works: bring your questions to the Office Hours community forum thread or save them for the live chat.* Questions can be about anything you want - guitar technique, music theory, gear, songwriting - your choice! Also, feel free to link a video of you playing if you have a technique question!

I'll do my best to answer your questions and give examples of how you develop skills related to your question.

Keep in mind, you can always watch later if you can't make it live! Check back a few hours after the stream for a numbered list of each question and a timestamped link to each answer.

*Please note: you may need a youtube/gmail account to ask questions in the live stream, but you can watch without one.

Check out the Lesson Archive for more Office Hours Live Streams

Other helpful links: Scott's Recommended Lesson PlanSearchable Lesson ArchiveHow to Join the Community ForumScott's Jam TracksSPJ Live YouTube ChannelScott's Main YouTube Channel

OFFICE HOURS 127 | Relative Major and Minor, CAGED Diminished chords, tricky chord progressions

Comments

Hey Scott, hope all is well! I’ll get right to the point, when playing with my band I sometimes get confused about what to play in improvise lead when they shout a key for me to play in. Is there an easy way to figure out where to put my hands when someone tells me a key? I’m probably making it more complicated than it is. Also, I have two hours a day (6-8pm) every day that I want to practice, could you help me make a practice schedule so I know what I’m doing when I practice? Sometimes it’s time to practice and I have no idea where to begin. I also want to practice being able to just play within the boundaries of each key so how could I practice that?

Daniel Torres

Hi Alice, I doubt you’ll be at caged for a year, it will go faster than you think. I took the CAGED course first then went straight to CAGED-II. It helped me grasp it even better now in just a few short weeks I know it well. Good luck, cheers.

DanielC

I will probably be practicing caged for the next year or two so get used to me lol

alice kelly

Ps I know major and minor scale formulae

alice kelly

Double sharps...wtfudge ?

alice kelly

Is there an easier way to know what to write when practicing written scales ? Such as D#m Fbm B#M and C#m. I'm trying to drill the method into my head of knowing at least some basic scales. I've learned that writing out a major scale can lead to an ah ha moment for the minor. Someone suggested I just drop down....I have no idea how to do this

alice kelly

Have I missed something or were the positions named after a key

alice kelly

Is it just experience and position that leads you to what shape to use ?

alice kelly

In my last video you went to the key of E. What brought you to choos this? Random key I'm hoping.

alice kelly

How does A dorian not cover a major minor and penatonic ?

alice kelly

I had / am having some problems with some of your videos turning pink and kicking me out.

alice kelly

So I assume that caged having been taught in major also applies to minor diminished and augmented?

alice kelly

Hey Scott. Long time, first time here. I have been working on your CAGE lessons which focus on the minor keys and I am struggling a bit. Is the best way to think about when I play a song in a minor key to think I am playing in the relative major (e.g., Playing in C when a song is in Am)? I know the chord tones will be different but I guess it is a little bit of mental gymnastics when a jam track in B flat minor comes on the rotation to figure out what to play. Thanks!

John Folstrom


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