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Look. At. Me. (Anatomy of a panel #12)

Many stages to look here on this specific panel, especially the way I render Nimo's hair body: first after the line art & after the flat colors I give them color. Sometimes I wonder why do I go so far with the details, haha!

The final drawing is really close to the original storyboard, which is odd for a pose that complex!

Look. At. Me. (Anatomy of a panel #12) Look. At. Me. (Anatomy of a panel #12) Look. At. Me. (Anatomy of a panel #12) Look. At. Me. (Anatomy of a panel #12) Look. At. Me. (Anatomy of a panel #12) Look. At. Me. (Anatomy of a panel #12)

Comments

Oh thanks! That means I really nailed shadows & lights haha!

CLX

Superbe! the final has almost a 3D effect.

Thomas Polk

Aww, thanks! Yes, I wanted to induce so much on their dynamic & mutual feelings at that point. Eye contact is important and these past years I put lots of communication in the hands. For the record, hands are like a nightmare to draw for any artist I met, haha! But when you understand their value & how it makes THE difference in a pose, you need to learn to master them as much as you can.

CLX

You know I love me some hairy men. But I think what does it for me personally in this one is how they are looking into each other's eyes. And the detail put into the hand gripping that rough lower jaw. There's a lot of passion and intensity in those portions. I love it!

That Long-Haired Creepy Guy


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