The title Smoking Causes Coughing is a statement of direct causation. Doing this will lead to that. This is ironic, because nothing in Smoking Causes Coughing leads to anything else. It is, as they used to say, so r...
2023-04-21 02:58:03 +0000 UTC View Post
Debut films are hard, and it's often easy to overlook some formal or narrative missteps. Everyone has to start somewhere, and besides, the sheer gumption it takes to get your work in the can and on the screen can demand a level of co...
2023-04-21 02:30:00 +0000 UTC View Post
Despite a 20-year career, Quebecois director Bernard Émond remains a bit of a mystery even to many of the most hardcore cinephiles. While on some level this is simply the fate of all but a very select few Canadian directors, Émond ...
2023-04-20 03:14:31 +0000 UTC View Post
As incongruous as it may seen, I found myself thinking about the recent films of Adam McKay while watching La Fracture, the latest film from Catherine Corsini. Needless to say, it wasn't a flattering comparison. Like the lib...
2023-04-17 01:24:41 +0000 UTC View Post
I don't have a lot to say about Coconut Head Generation, an informative but flawed documentary about activism at Nigeria's University of Ibadan. At first, it centers on the university's Thursday Cinema Club, a student-run gr...
2023-04-16 02:22:41 +0000 UTC View Post
Back in 2014, when TIFF was still doing its City to City program(me), I covered the entire slate of films that year. The focus was on Seoul, and as often happens when cramming for festival coverage, a lot of those films became a blur...
2023-04-12 03:33:21 +0000 UTC View Post
BY REQUEST: Florian Weigl
The usual disclaimers apply. Max and I are friends, and have worked together on some writing projects. But another disclaimer might be in order here. MLP is astoundingly prolific, and ...
2023-04-12 00:01:49 +0000 UTC View Post
BY REQUEST: Jacopo Fiorancio
Having now watched all five episodes (and indeed, all eight hours) of Eight Hours, I find it all very much of a piece with Fassbinder's mature aesthetic, even if the tone i...
2023-04-10 05:19:16 +0000 UTC View Post
One benefit of going to commercial cinemas to see movies no one else wants to is that, when a few other people do show up, it can create an unexpected bond. I had a nice chat in the lobby with a couple of folks who'd also ju...
2023-04-08 01:56:37 +0000 UTC View Post
Read the room, Night. This is a terrible time to be making such an incoherent statement about gay parenting, in part because that incoherence can easily be mistaken for insight. Why have a family with two dads, and have the antagonis...
2023-04-07 18:57:47 +0000 UTC View Post
This weekend I'll finish Eight Hours Are Not a Day, and hopefully post about it by Monday.
But since it sometimes takes folks a minute to see that they've been tagged, I wanted to go ahead and announce the next three S...
2023-04-07 03:33:33 +0000 UTC View Post
“Dostoyevsky Iranian style,” reads one positive review of Leila’s Brothers, the third feature film by Saeed Roustaee, and in a way that writer (Frédéric Da) has a point. Like the Russian existentialist, Roustaee is f...
2023-04-06 07:06:56 +0000 UTC View Post
Umut Subaşı’s debut feature is a curious beast. In many regards it is quite accomplished, and displays some very decisive stylistic choices. Basically a roundelay involving four young adults in Instanbul, Almost Entirely a Sl...
2023-04-05 23:13:00 +0000 UTC View Post
In 2019, Argentinian filmmaker Melisa Liebenthal released a short film called Aquí y Allá (“Here and There”), in which she used Google Earth to pinpoint the exact location in which she was making the film itself. With ...
2023-04-04 19:37:18 +0000 UTC View Post
Astrakan, the debut feature from David Depesseville, is a film that is at once deeply humanist and utterly pitiless. Essentially a character study, the film depicts the precarious and often horrifying world of Samuel (Mirko ...
2023-04-02 22:23:39 +0000 UTC View PostEight Hours Don't Make a Day (Rainer Werner Fassbinder, 1972)
At this point I've seen the first two of the series' five episodes, and wanted to jot down some thoughts.
-- This is by no means "early Fassbi...
2023-04-02 04:41:36 +0000 UTC View Post
Today I started watching Fassbinder's Eight Hours Are Not a Day, and what do you know? It's about eight hours long. I will report back once I "binge" the whole thing. But I've also been doing reviews for InReview Online, and...
2023-04-01 03:33:43 +0000 UTC View Post
The more films I see by Éric Baudelaire, the less I understand what he's up to. They all seem so different, from his look at the breakaway republic of Abkhazia (2014's Letter to Max), to his riff on Masao Adachi (2017's
BY REQUEST: Gavin Petty
Over the years I've discovered a common trait among many, if not most, debut films. The filmmaker has spent years working toward the project in question, and they can never be entirely s...
2023-03-27 01:28:01 +0000 UTC View Post
Among the major video artists of the 80s and 90s, Charles Atlas doesn't have the reputation he deserves. This is probably because he works in a very narrow genre, one that he may not have invented but has certainly helped to define. ...
2023-03-24 02:44:22 +0000 UTC View Post
BY REQUEST: Kirk Johnson
Well, it was kind of inspiring to see that even at the start of his career, Iosseliani had most of his primary obsessions firmly in place. In particular, Singing Blackbird fore...
2023-03-22 06:22:25 +0000 UTC View Post
There has been a strong surge of anti-Desplechin sentiment brewing over the past few years. The critical response to his last few films, along with the fact that major film festivals have started ignoring them, would suggest that som...
2023-03-18 03:30:43 +0000 UTC View Post
Allegedly kept out of the Berlinale competition for being "too weird," in water certainly has the hallmarks of radical new direction, for any filmmaker really but especially one who so often gets the bum rap of all his films...
2023-03-17 02:52:29 +0000 UTC View Post
The usual disclaimers apply. Blake and I are friends, and while I have been a pretty consistent fan of his work, I've done my best to remain quasi-objective. Now, I've already enthused about Laberint Sequences on Twitter, bu...
2023-03-15 05:15:26 +0000 UTC View Post
You asked for it, you got it! Using a random number generator, the following three subscribers have been selected for this month's TELL ME WHAT TO WATCH game.
2023-03-14 04:18:03 +0000 UTC
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I have been a bit distracted from watching older movies lately, mostly because of year-end polls. Now I am not sure how to proceed. What do you think?
2023-03-13 05:30:21 +0000 UTC View Post
The title R.M.N. refers to an M.R.I., whose initials in Romanian are R.M.N. But of course, R.M.N. also seems to signify "Romania," and in a way Mungiu's film attempts to be a sort of cinematic brain scan of his home...
2023-03-12 05:09:30 +0000 UTC View Post
A funny thing happened while I was originally composing this review. I got about a paragraph out, which was pretty much my usual stuff: a bit of background on the director, his major festival appearances (this film was in competition...
2023-03-12 02:58:29 +0000 UTC View Post
When Tarik Saleh's Cairo Conspiracy (or Boy From Heaven, as it was called at the time) was announced as a selection for the 2022 Cannes competition slate, there was a bit of confusion. Wait, isn't that the same guy ...
2023-03-10 04:48:06 +0000 UTC View Post
Let's Go Brandon! In terms of evocation of mood, inarticulate menace, and a batshit approach to visuals and sound design, Cronenberg fils has it going on. Even the end titles bear an unmistakable Godardian stamp, retrofitted...
2023-03-07 20:27:39 +0000 UTC View Post
