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The Year Was 1972......

Goldwater was in the White House. America's young men were being sent to Algeria to execute a dying colonialist politic. The Washington Generals had just clenched the Eastern Division. And Bobby Goldsboro (above) had the #1 song in C...

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Happening (Audrey Diwan, 2021)

Need it be said? Happening, this year's Golden Lion winner and the sophomore feature from Audrey Diwan, is timely as they come. It's a film about France in 1963, although Diwan quite strategically withholds any obvious time-...

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Janie's Janie (Geri Ashur / Newsreel Collective, 1971)

This is a film I always meant to catch up with, mostly because I have been reading about it in passing for nearly twenty years. Janie's Janie is repeatedly cited in the documentary scholarship of the great Bill Nichols, who ...

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A River Runs, Turns, Erases, Replaces (Shengze Zhu, 2021)

It's sometimes the case that a given artwork takes on more meaning that it might have originally because of unexpected historical developments, and that is definitely the case with A River Runs, Turns, Erases, Replaces, Shen...

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What Do We See When We Look At the Sky? (Alexandre Koberidze, 2021)

While there's no question that Koberidze's second feature film is one of the most formally accomplished cinematic works of 2021, I still find myself having some difficulty embracing it. I suspect that part of why it has struck such a...

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I'm 50!

And I can KICK! And STRETCH! And KICK!

Okay, now that the year-end crunch is winding down -- still need to watch un film de Margalit* Gyllenhaal and a few others -- I wanted to get back to watching older films. And I h...

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Last Few Viewings of 2021 (part two)

Labyrinth of Cinema (Nobuhiko Ôbayashi, 2019)

A film so ambitious in scope that it becomes almost aggressive, Labyrinth of Cinema is truly one of a kind -- mind-bending, frustrating, educational, and ...

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Last Few Viewings of 2021 (part one)

North by Current (Angelo Madsen Minax, 2021)

Minax's deeply humane documentary about a family tragedy might productively be studied against one of my least favorite films, Dear Zachary. While the earli...

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Year-End Lightning Hoedown No. 6

"I just thought I'd do a little hoedown."

Poet (Darezhan Omirmayev, 2021)

A careful, patient film that has an ...

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⚡Lightning 〇Round 5

Outside Noise (Ted Fendt, 2021)

As I suggested on Twitter, I admire Ted Fendt's films quite a bit more than I like them. He is part of a loose consortium of younger filmmakers -- Luise Donschen, Ricky D'Ambrose...

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Lightning Round 4

Although "lightning" may not be the best adjective here. I'm still finding it hard to view movies, as there is always some IKEA that needs my special touch with an Allen wrench. Also, one of the seventeen cats is always hungry. Anywa...

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Year-End Lighning Round #3

I do want to apologize, not just for the highly infrequent posting, but for the shoddy viewing as well. There's just too much going on, and I can only work in brief spurts. 


Drive My Car (Ryûsuke Hamagu...

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Drive, or Remain Parked?

I need your help regarding the apparent Film of the Year.

Should I:

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Year-End Lightning Round (Part 2)

Flee (Jonas Poher Rasmussen, 2021)

One would have to be heartless not to be affected by the story of Amin, an Afghan refugee who endured years of terror and anxiety in his effort to survive. Before finally arri...

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Year-End Poll: Lightning Round, Part 1 (updated)

Passing (Rebecca Hall, 2021)

This adaptation of Nella Larsen's 1929 novel is certainly timely, in terms of its concern with racism as a part of the American DNA. But in its faithfulness to the source material, ...

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Putting It Together

(Stephen Sondheim, RIP)

It's been a busy couple of months, and I very much appreciate your patience. Jen, the animals, and I are now settling in our new home, a three-story townhouse in Houston's 1st Ward district. I am hoping ...

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Catastrophe, Minimal and Maximal

The Night (Tsai Ming-liang, 2021)

The English title of Tsai's latest experimental short, The Night, seems to ask for consideration alongside his last feature film, Days. That film was shot in ...

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Memoria (Apichatpong Weerasethakul, 2021)

Q: What if the machine kicked back?

I've needed some time to think about Memoria. Although there is no mistaking this film for the work on anyone else, it is indeed a change-up for Apichatpong. Not only does t...

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The Scary of Sixty-First (Dasha Nekrasova, 2021)

It's hopeless, really. If I were to actually take the time to articulate how stupid this is, I'd be falling into its trap, demonstrating that I'm the kind of unhip, decrepit "victim culture" leftist that Nekrasova and her "dirtbag le...

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Jane by Charlotte (Charlotte Gainsbourg, 2021)

Hovering in the distance of Gainsbourg's portrait of her mother Jane Birkin is an earlier film, Agnès Varda's 1988 experimental doc Jane B. par Agnès V. That film, which was a kind of companion film to Kung-Fu Master View Post

Flag Day (Sean Penn, 2021)

Cannes sure does distort things, huh? Penn's last directorial outing, The Last Face, was god-awful. It's script was risible, and Penn's directorial choices were hopelessly incompetent. What's more, its view of violence and c...

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Proto-Vines: an Inquiry

I spend a bit of time on TikTok, mostly so I can keep minimally abreast of my son's cultural life. I find it occasionally amusing, but as a platform it's extremely circumscribed. I'm not referring to the time limit, which was recently expanded from one to three minutes. I'm actually thinking about the platform's algorithm, wh...

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Dune (Denis Villeneuve, 2021)

I will freely admit that I am not the target audience for Dune. It's not just that I'm not a genre guy, although that tends to be true. I'm only really interested when the conventions are subverted or at least seriously twea...

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Memories? Call 1-800-GOT-JUNK

Tonight, I was catching up with We (or Nous, if you prefer), the documentary by Alice Diop that played in Berlin and ND/NF. At this point in the film -- about 25 minutes in -- I had to stop because I was overcome by...

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The Velvet Underground (Todd Haynes, 2021)

I'm very glad indeed that Haynes' The Velvet Underground exists. It's an admirable attempt at something very few rock-docs even think to do: placing the artists under consideration in a broader context of cultural and aesthe...

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The Beta Test (Jim Cummings and PJ McCabe, 2021)


Cummings' debut feature Thunder Road was quite the opening salvo, a film defined by its full-on embrasure of squeamish embarrassment -- what the kids now simply call "cringe." It tells us a lot about Gen Z that th...

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One Second (Zhang Yimou, 2020)

This is hard to really evaluate, of course, because it arrives as damaged goods. The PRC engages in censorship all the time, but seldom is it this high-profile. Zhang, probably the most renowned Chinese director currently living, had...

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Checking In

So obviously there hasn't been much action here. If you check in occasionally with my Films Seen lists (on Letterboxd or the Academic Hack), you've probably noticed what we might generously refer to as a lull. So I figured I'd give y...

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Delphine's Prayers (Rosine Mbakam, 2021)

Mbakam's latest documentary is essentially a portrait film, and as such probably bears comparison with some of the classics of the subgenre, like Shirley Clarke's Portrait of Jason, certain works by Jonas Mekas, or even Pedr...

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The Crusade (Louis Garrel, 2021)

The Crusade is the final cinematic project of Jean-Claude Carrière, which is both odd and poignant. He co-wrote this featurette with Garrel, and especially when you consider some of the masterworks Carrière has been involv...

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